Thus Spake Zarathustra: A Book for All and None

By Friedrich Nietzsche

Page 168

Shameless one! Thou unknown one!--Thief!
What seekst thou by thy stealing?
What seekst thou by thy hearkening?
What seekst thou by thy torturing?
Thou torturer!
Or shall I, as the mastiffs do,
Roll me before thee?
And cringing, enraptured, frantical,
My tail friendly--waggle!

In vain!
Goad further!
Cruellest goader!
No dog--thy game just am I,
Cruellest huntsman!
Thy proudest of captives,
Thou robber 'hind the cloud-banks...
Speak finally!
Thou lightning-veiled one! Thou unknown one! Speak!
What wilt thou, highway-ambusher, from--ME?
What WILT thou, unfamiliar--God?
How much of ransom-gold?
Solicit much--that bid'th my pride!
And be concise--that bid'th mine other pride!

Ha! Ha!
ME--wantst thou? me?

Ha! Ha!
And torturest me, fool that thou art,
Dead-torturest quite my pride?
Give LOVE to me--who warm'th me still?
Who lov'th me still?--
Give ardent fingers
Give heartening charcoal-warmers,
Give me, the lonesomest,
The ice (ah! seven-fold frozen ice
For very enemies,
For foes, doth make one thirst).
Give, yield to me,
Cruellest foe,

There fled he surely,
My final, only comrade,
My greatest foe,
Mine unfamiliar--
My hangman-God!...

Come thou back!
WITH all of thy great

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Text Comparison with The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms.

Page 1
24) that he never attacked persons as persons.
Page 3
In Wagner's music, in his doctrine, in his whole concept of art, Nietzsche saw the confirmation, the promotion--aye,.
Page 6
We should beware of this, and should not even believe Wagner when he speaks badly about himself.
Page 8
"human-all-too-human," but they still maintain that there are divine qualities in his music.
Page 10
A long history!--Shall I give it a name?--If I were a moralist, who knows what I might not call it! Perhaps a piece of _self-mastery_.
Page 12
I seem to assist at its birth.
Page 18
The definition of a vegetarian: a creature who has need of a corroborating diet.
Page 21
of passion.
Page 22
They understand nothing of Wagner who see in him but a sport of nature, an arbitrary mood, a chapter of accidents.
Page 23
_: whenever a principle failed him, he endowed man with a "capacity" which took its place{~HORIZONTAL ELLIPSIS~}) Once more let it be said that Wagner is really only worthy of admiration and love by virtue of his inventiveness in small things, in his elaboration of details,--here one is quite justified in proclaiming him a master of the first rank, as our greatest musical _miniaturist_ who compresses an infinity of meaning and sweetness into the smallest space.
Page 25
A man is an actor when he is ahead of mankind in his possession of this one view, that everything which has to strike people as true, must not be true.
Page 28
Indeed, generally speaking, Wagner does not seem to have become interested in any other problems than those which engross the little Parisian decadents of to-day.
Page 29
It is Wagner's genius for forming clouds, his sweeps and swoops through the air, his ubiquity and nullibiety--precisely the same qualities with which Hegel led and lured in his time!--Moreover in the presence of Wagner's multifariousness, plenitude and arbitrariness, they seem to themselves justified--"saved".
Page 41
My melancholy.
Page 44
All real and original music is a swan song--Even our last form of music, despite its prevalence and its will to prevail, has perhaps only a short time to live, for it sprouted from a soil which was in the throes of a rapid subsidence,--of a culture which will soon be _submerged_.
Page 45
Perhaps a few people, or at least my friends, will remember that I made my first plunge into life armed with some errors and some exaggerations, but that, in any case, I began with _hope_ in my heart.
Page 55
But as to the naturalism of the attitudes, of the singing, compared with the orchestra!! What affected, artificial and depraved tones, what a distortion of nature, were we made to hear! 3.
Page 56
Page 57
This was the case with Wagner.
Page 58
That which is un-German in Wagner.