Thus Spake Zarathustra: A Book for All and None

By Friedrich Nietzsche

Page 151

of us oweth thanks?--

--Doth the giver not owe thanks because the receiver received? Is
bestowing not a necessity? Is receiving not--pitying?"--

O my soul, I understand the smiling of thy melancholy: thine
over-abundance itself now stretcheth out longing hands!

Thy fulness looketh forth over raging seas, and seeketh and waiteth: the
longing of over-fulness looketh forth from the smiling heaven of thine
eyes!

And verily, O my soul! Who could see thy smiling and not melt
into tears? The angels themselves melt into tears through the
over-graciousness of thy smiling.

Thy graciousness and over-graciousness, is it which will not complain
and weep: and yet, O my soul, longeth thy smiling for tears, and thy
trembling mouth for sobs.

"Is not all weeping complaining? And all complaining, accusing?" Thus
speakest thou to thyself; and therefore, O my soul, wilt thou rather
smile than pour forth thy grief--

--Than in gushing tears pour forth all thy grief concerning thy
fulness, and concerning the craving of the vine for the vintager and
vintage-knife!

But wilt thou not weep, wilt thou not weep forth thy purple melancholy,
then wilt thou have to SING, O my soul!--Behold, I smile myself, who
foretell thee this:

--Thou wilt have to sing with passionate song, until all seas turn calm
to hearken unto thy longing,--

--Until over calm longing seas the bark glideth, the golden marvel,
around the gold of which all good, bad, and marvellous things frisk:--

--Also many large and small animals, and everything that hath light
marvellous feet, so that it can run on violet-blue paths,--

--Towards the golden marvel, the spontaneous bark, and its master: he,
however, is the vintager who waiteth with the diamond vintage-knife,--

--Thy great deliverer, O my soul, the nameless one--for whom future
songs only will find names! And verily, already hath thy breath the
fragrance of future songs,--

--Already glowest thou and dreamest, already drinkest thou thirstily at
all deep echoing wells of consolation, already reposeth thy melancholy
in the bliss of future songs!--

O my soul, now have I given thee all, and even my last possession, and
all my hands have become empty by thee:--THAT I BADE THEE SING, behold,
that was my last thing to give!

That I bade thee sing,--say now, say: WHICH of us now--oweth thanks?--
Better still, however: sing unto me, sing, O my soul! And let me thank
thee!--

Thus spake Zarathustra.




LIX. THE SECOND DANCE-SONG.

1.

"Into thine eyes gazed I lately, O Life: gold saw I gleam in thy
night-eyes,--my heart stood still with delight:

--A golden bark saw I gleam on darkened waters, a sinking, drinking,
reblinking, golden swing-bark!

At my dance-frantic foot, dost thou cast a glance,

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Text Comparison with On the Future of our Educational Institutions; Homer and Classical Philology Complete Works, Volume Three

Page 3
Finally, the author would wish his reader to be fully alive to the specific character of our present barbarism and of that which distinguishes us, as the barbarians of the nineteenth century, from other barbarians.
Page 4
The title I gave to these lectures ought, like all titles, to have been as definite, as plain, and as significant as possible; now, however, I observe that owing to a certain excess of precision, in its present form it is too short and consequently misleading.
Page 6
and a refining of the spirit of Germany that, as a result of this very process, our educational institutions may also be indirectly remoulded and born again, so as to appear at once old and new, whereas now they only profess to be "modern" or "up-to-date.
Page 11
Towards the end of this piece, which grew ever wilder and which was sung to ever quicker time, I made a sign to my friend, and just as the last chord rang like a yell through the building, he and I vanished, leaving behind us a raging pandemonium.
Page 18
We were indeed undisturbed.
Page 29
people deal with it as if it were a dead language and as if the present and future were under no obligations to it whatsoever.
Page 43
But it is just at this point that one should learn to hear aright: it is here, without being disconcerted by the thundering noise of the education-mongers, that we must confront those who talk so tirelessly about the educational necessities of their time.
Page 54
" The philosopher once more began to speak: "Be careful to remember, my friend," said he, "there are two things you must not confuse.
Page 60
"You astonish me, you will-o'-the-wisps," he said; "this is no quagmire we are on now.
Page 61
am thinking of doing to-morrow, or what I have made up my mind to do with myself from now on, I should not know what to answer.
Page 63
And if it had been possible for you to take Goethe's friendship away from this melancholy, hasty life, hunted to premature death, then you would have crushed him even sooner than you did.
Page 66
That enormous horde, crowding onwards on the first path towards its goal, would take the term to mean an institution by which each of its members would become duly qualified to take his place in the rank and.
Page 70
" And then we once more heard that loud melody from the waters of the Rhine, intoned by numerous and strong voices.
Page 78
Then he suddenly pulls himself together; he still feels some of that power within him which would have enabled him to keep his head above water.
Page 79
This is the guiltless innocent; for who has saddled him with the unbearable burden of standing alone? Who has urged him on to independence at an age when one of the most natural and peremptory needs of youth is, so to speak, a self-surrendering to great leaders and an enthusiastic following in the footsteps of the masters? "It is repulsive to consider the effects to which the violent suppression of such noble natures may lead.
Page 85
Philology is composed of history just as much as of natural science or æsthetics: history, in so far as it endeavours to comprehend the manifestations of the individualities of peoples in ever new images, and the prevailing law in the disappearance of phenomena; natural science, in so far as it strives to fathom the deepest instinct of man, that of speech; æsthetics, finally, because from various antiquities at our disposal it endeavours to pick out the so-called "classical" antiquity, with the view and pretension of excavating the ideal world buried under it, and to hold up to the present the mirror of the.
Page 92
In this universality there is something almost intoxicating in the thought of a popular poem: we feel, with artistic pleasure, the broad, overpowering liberation of a popular gift, and we delight in this natural phenomenon as we do in an uncontrollable cataract.
Page 93
If, however, this construction was not clearly seen, this fault was due to the way the poems were handed down to posterity and not to the poet himself--it was the result of retouchings and interpolations, owing to which the original setting of the work gradually became obscured.
Page 94
According to this view, the text itself and the stories built round it are one and the same thing.
Page 95
The difference between them is not in the way they originate, but it is their diffusion and propagation, in short, _tradition_.