Thus Spake Zarathustra: A Book for All and None

By Friedrich Nietzsche

Page 140

the nature of weak men: they lose themselves on their
way. And at last asketh their weariness: "Why did we ever go on the way?
All is indifferent!"

TO THEM soundeth it pleasant to have preached in their ears: "Nothing is
worth while! Ye shall not will!" That, however, is a sermon for slavery.

O my brethren, a fresh blustering wind cometh Zarathustra unto all
way-weary ones; many noses will he yet make sneeze!

Even through walls bloweth my free breath, and in into prisons and
imprisoned spirits!

Willing emancipateth: for willing is creating: so do I teach. And ONLY
for creating shall ye learn!

And also the learning shall ye LEARN only from me, the learning
well!--He who hath ears let him hear!

17.

There standeth the boat--thither goeth it over, perhaps into vast
nothingness--but who willeth to enter into this "Perhaps"?

None of you want to enter into the death-boat! How should ye then be
WORLD-WEARY ones!

World-weary ones! And have not even withdrawn from the earth! Eager
did I ever find you for the earth, amorous still of your own
earth-weariness!

Not in vain doth your lip hang down:--a small worldly wish still sitteth
thereon! And in your eye--floateth there not a cloudlet of unforgotten
earthly bliss?

There are on the earth many good inventions, some useful, some pleasant:
for their sake is the earth to be loved.

And many such good inventions are there, that they are like woman's
breasts: useful at the same time, and pleasant.

Ye world-weary ones, however! Ye earth-idlers! You, shall one beat with
stripes! With stripes shall one again make you sprightly limbs.

For if ye be not invalids, or decrepit creatures, of whom the earth is
weary, then are ye sly sloths, or dainty, sneaking pleasure-cats. And if
ye will not again RUN gaily, then shall ye--pass away!

To the incurable shall one not seek to be a physician: thus teacheth
Zarathustra:--so shall ye pass away!

But more COURAGE is needed to make an end than to make a new verse: that
do all physicians and poets know well.--

18.

O my brethren, there are tables which weariness framed, and tables
which slothfulness framed, corrupt slothfulness: although they speak
similarly, they want to be heard differently.--

See this languishing one! Only a span-breadth is he from his goal; but
from weariness hath he lain down obstinately in the dust, this brave
one!

From weariness yawneth he at the path, at the earth, at the goal, and at
himself: not a step further will he go,--this brave one!

Now gloweth the sun upon him, and the dogs lick at his sweat: but he
lieth there in his obstinacy

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Text Comparison with Thoughts out of Season, Part I

Page 19
It were well for us to bear in mind that we are not altogether free to dispose of Nietzsche's attitude to Wagner, at any given period in their relationship, with a single sentence of praise or of blame.
Page 23
To speak of German scholarship and culture as having conquered, therefore, can only be the outcome of a misapprehension, probably resulting from the circumstance that every precise notion of culture has now vanished from Germany.
Page 39
All this is certainly new and striking; but, even so, it does not strike us with wonder, and so sure as it is new, it will never grow old, for it never was young; it was senile at birth.
Page 43
From the play of airy jests--that is to say, Straussian jests-- to the heights of solemn earnestness--that is to say, Straussian earnestness--they remain stolidly at his elbow.
Page 55
VIII.
Page 59
To begin with, that culture has contentment written in its every feature, and will allow of no important changes being introduced into the present state of German education.
Page 65
" What merit should we then discover in the piety of those whom Strauss calls "We"? Otherwise, it is almost to be feared that modern men will pass on in pursuit of their business without troubling themselves overmuch concerning the new furniture of faith offered them by the apostle: just as they have done heretofore, without the doctrine of the rationality of the All.
Page 68
If we have understood Strauss the Confessor correctly, he must be a genuine Philistine, with a narrow, parched soul and scholarly and common-place needs; albeit no one would be more indignant at the title than David Strauss the Writer.
Page 72
In this book, that repulsive monster of style Gutzkow appears as a classic, and, according to its injunctions, we seem to be called upon to accustom ourselves to quite a new and wondrous crowd of classical authors, among which the first, or one of the first, is David Strauss: he whom we cannot describe more aptly than we have already--that is to say, as a worthless stylist.
Page 75
By means of these examples.
Page 81
In the realm of art it signifies, so to speak, the first circumnavigation of the world, and by this voyage not only was there discovered an apparently new art, but Art itself.
Page 92
For my part, the most important question philosophy has to decide seems to be, how far things have acquired an unalterable stamp and form, and, once this question has been answered, I think it the duty of philosophy unhesitatingly and courageously to proceed with the task of improving that part of the world which has been recognised as still susceptible to change.
Page 96
The time is at hand for those who would conquer and triumph; the vastest empires lie at their mercy, a note of interrogation hangs to the name of all present possessors of power, so far as possession may be said to exist in this respect.
Page 110
In Wagner, too, the world of sounds seeks to manifest itself as a phenomenon for the sight; it seeks, as it were, to incarnate itself.
Page 113
A dream-apparition, like and unlike.
Page 128
The impression of ideal distance and height was no more to be induced by means of tricks and artifices.
Page 129
To all such interpretations of mood or atmosphere, distinct and particular forms of treatment were necessary: others were established by convention.
Page 141
XI.
Page 142
The desperate vagabond finds deliverance from his distress in the compassionate love of a woman who would rather die than be unfaithful to him: the theme of the Flying Dutchman.
Page 143
How he forges his sword, kills the dragon, gets possession of the ring, escapes the craftiest ruse, awakens Brunhilda; how the curse abiding in the ring gradually overtakes him; how, faithful in faithfulness, he wounds the thing he most loves, out of love; becomes enveloped in the shadow and cloud of guilt, and, rising out of it more brilliantly than the sun, ultimately goes down, firing the whole heavens with his burning glow and purging the world of the curse,--all this is seen by the god whose.