Thoughts Out of Season, Part II

By Friedrich Nietzsche

Page 102

play the buffoon and the monkey, and learn the arts that
make life amusing. But the German spirit cannot be more dishonoured
than by being treated as wax for any elegant mould.

And if, unfortunately, a good many Germans will allow themselves to
be thus moulded, one must continually say to them, till at last they
listen:--"The old German way is no longer yours: it was hard, rough,
and full of resistance; but it is still the most valuable
material--one which only the greatest modellers can work with, for
they alone are worthy to use it. What you have in you now is a soft
pulpy stuff: make what you will out of it,--elegant dolls and
interesting idols--Richard Wagner's phrase will still hold good, 'The
German is awkward and ungainly when he wishes to be polite; he is
high above all others, when he begins to take fire.'" All the elegant
people have reason to beware of this German fire; it may one day
devour them with all their wax dolls and idols.--The prevailing love
of "good form" in Germany may have a deeper cause in the breathless
seizing at what the moment can give, the haste that plucks the fruit
too green, the race and the struggle that cut the furrows in men's
brows and stamp the same mark on all their actions. As if there were
a poison in them that would not let them breathe, they rush about in
disorder, anxious slaves of the "three m's," the moment, the mode and
the mob: they see too well their want of dignity and fitness, and
need a false elegance to hide their galloping consumption. The
fashionable desire of "good form" is bound up with a loathing of
man's inner nature: the one is to conceal, the other to be concealed.
Education means now the concealment of man's misery and wickedness,
his wild-beast quarrels, his eternal greed, his shamelessness in
fruition. In pointing out the absence of a German culture, I have
often had the reproach flung at me: "This absence is quite natural,
for the Germans have been too poor and modest up to now. Once rich
and conscious of themselves, our people will have a culture too."
Faith may often produce happiness, yet _this_ particular faith makes
me unhappy, for I feel that the culture whose future raises such
hopes--the culture of riches, politeness, and elegant concealments--
is the bitterest foe of that German culture in which I believe. Every
one who has to live among Germans suffers from the dreadful grayness
and apathy of their lives, their formlessness, torpor and clumsiness,
still more

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Text Comparison with The Case of Wagner Complete Works, Volume 8

Page 9
It was this that caused him to suffer.
Page 17
_ That is the word.
Page 19
Wherefore beauty then? Why not rather aim at size, at the sublime, the gigantic, that which moves the _masses?_--And to repeat: it is easier to be titanic than to be beautiful; we know that.
Page 21
.
Page 23
--"Very good! But how can this _décadent_ spoil one's taste if perchance one is not a musician, if perchance one is not oneself a _décadent?"_--Conversely! How can one _help_ it! _Just_ you try it!--You know not what Wagner is: quite a great actor! Does a more profound, a more _ponderous_ influence exist on the stage? Just look at these youthlets,--all benumbed, pale, breathless! They are Wagnerites: they.
Page 30
The movement that Wagner created has spread even to the land of knowledge: whole sciences pertaining to music are rising slowly, out of centuries of scholasticism.
Page 34
Wagner redeemed woman; and in return woman built Bayreuth for him.
Page 35
If in this essay I declare war against Wagner--and incidentally against a certain form of German taste, if I seem to use strong language about the cretinism of Bayreuth, it must not be supposed that I am in the least anxious to glorify any other musician.
Page 39
What ancient drama had in view was _grand pathetic scenes,_--it even excluded action (or placed it _before_ the piece or _behind_ the scenes).
Page 54
Out of such abysses, out of the abyss of _great suspicion_ as well, a man returns as though born again, he has a new skin, he is more susceptible, more full of wickedness; he has a finer taste for joyfulness; he has a more sensitive tongue for all good things; his senses are more cheerful; he has acquired a second, more dangerous, innocence in gladness; he is more childish too, and a hundred times more cunning than ever he had been before.
Page 60
Moreover his is a difficult language which also requires to be explained.
Page 63
It was only on these conditions that the State allowed the pagan.
Page 73
From ignorance of all non-classical antiquity.
Page 76
35 It is the same with the simplicity of antiquity as it is with the simplicity of style: it is the highest thing which we recognise and must imitate; but it is also the last Let it be remembered that the classic prose of the Greeks is also a late result 36 What a mockery of the study of the "humanities" lies in the fact that they were also called "belles lettres" (bellas litteras)! 37 Wolfs[5] reasons why the Egyptians, Hebrews Persians, and other Oriental nations were not to be set on the same plane with the Greeks and Romans: "The former have either not raised themselves, or have raised themselves only to a slight extent, above that type of culture which should be called a mere civilisation and bourgeois acquirement, as opposed to the higher and true culture of the mind.
Page 90
The philistine of culture is the most comfortable creature the sun has ever shone upon: and he is doubtless also in possession of the corresponding stupidity.
Page 93
astonishingly large.
Page 95
--Even in natural science we find this deification of the necessary.
Page 99
There is no doubt that the contrast between a pure, incorporeal soul and a body has been almost set aside.
Page 100
Moreover, the only time when we can actually _recognise_ something is when we endeavour to _make_ it.
Page 103
Until now no single individuality, or only the very rarest, have been free: they were influenced by these conceptions, but likewise by the bad and contradictory organisation of the individual purposes.