The Will to Power, Book I and II An Attempted Transvaluation of all Values

By Friedrich Nietzsche

Page 107

this: _there are no moral phenomena, but only a
moral interpretation of phenomena. The origin of this interpretation
itself lies beyond the pale of morality._

What is the meaning of the fact that we have imagined a
_contradiction_ in existence? This is of paramount importance: behind
all other valuations those moral valuations stand commandingly.
Supposing they disappear, according to what standard shall we then
measure? And then of what value would knowledge be, etc. etc.???


259.

A point of view: in all valuations there is a definite purpose:
the _preservation_ of an individual, a community, a race, a state,
a church, a belief, or a culture.--Thanks to the fact that people
_forget_ that all valuing has a purpose, one and the same man may swarm
with a host of contradictory valuations, and _therefore with a host of
contradictory impulses._ This is the _expression of disease in man_ as
opposed to the health of animals, in which all the instincts answer
certain definite purposes.

This creature full of contradictions, however, has in his being a grand
method of acquiring knowledge: he feels the pros and cons, he elevates
himself _to Justice_--that is to say, to the ascertaining of principles
_beyond the valuations good and evil._

The wisest man would thus be the _richest in contradictions,_ he would
also be gifted with mental antennæ wherewith he could understand all
kinds of men; and with it all he would have his great moments, when all
the chords in his being would ring in _splendid unison_--the rarest of
_accidents_ even in us! A sort of planetary movement.


260.

"To will" is to will an object. But "object," as an idea, involves
a valuation. Whence do valuations originate? Is a permanent norm,
"pleasant or painful," their basis?

But in an incalculable number of cases we first of all _make_ a thing
painful, by investing it with a valuation.

The compass of moral valuations: they play a part in almost every
mental impression. To us the world is _coloured_ by them.

We have imagined the purpose and value of all things: owing to this
we possess an enormous fund of _latent power,_ but the study of
_comparative_ values teaches us that values which were actually opposed
to each other have been held in high esteem, and that there have been
_many_ tables of laws (they could not, therefore, have been worth
anything _per se_).

The analysis of individual tables of laws revealed the fact that they
were framed (often very badly) as the _conditions of existence_ for
limited groups of people, to ensure their maintenance.

Upon examining modern men, we found that there are a large number
of _very different_

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Text Comparison with Thoughts out of Season, Part I

Page 9
like a stream, which all the peoples of Europe will have to cross: they will come out of it cleaner, healthier, and stronger, but while the others are already in the water, plunging, puffing, paddling, losing their ground, trying to swim, and even half-drowned, you are still standing on the other side of it, roaring unmercifully about the poor swimmers, screamers, and fighters below,--but one day you will have to cross this same river too, and when you enter it the others will just be out of it, and will laugh at the poor English straggler in their turn! The third and last reason for the icy silence which has greeted Nietzsche in this country is due to the fact that he has--as far as I know--no literary ancestor over here whose teachings could have prepared you for him.
Page 29
No, in their desire to acquire an historical grasp of everything, stultification became the sole aim of these philosophical admirers of "nil admirari.
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of a much more beautiful name: it was the famous "healthiness" of the Culture-Philistine.
Page 36
The way in which a religion represents its heaven is significant, and if it be true that Christianity knows no other heavenly occupations than singing and making music, the prospect of the Philistine, à la Strauss, is truly not a very comforting one.
Page 43
It is said, for instance, that this symphony "is naturally the favourite of a prevalent taste, which in art, and music especially, mistakes the grotesque for the genial, and the formless for the sublime" (p.
Page 60
It was obviously in the nature of things that opposition should be clamorous and assent tacit.
Page 62
prose-writer.
Page 77
It is really a painful sight to see a fine old language, possessed of classical literature, being botched by asses and ignoramuses!" Thus Schopenhauer's holy anger cries out to us, and you cannot say that you have not been warned.
Page 78
For he who has sinned against the German language has desecrated the mystery of all our Germanity.
Page 89
And wonderfully he achieved this end! It is delightful to follow his progress.
Page 97
The gaze which the mysterious eye of tragedy vouchsafes us neither lulls nor paralyses.
Page 100
Under this yoke no one is able to show himself as he is, or to express himself artlessly, while only few are able to preserve their individuality in their fight against a culture which thinks to manifest its success, not by the fact that it approaches definite sensations and desires with the view of educating them, but by the fact that it involves the individual in the snare of "definite notions," and teaches him to think correctly: as if there were any value in making a correctly.
Page 101
The relation between music and life is not merely that existing between one kind of language and another; it is, besides, the relation between the perfect world of sound and that of sight.
Page 107
Man would prefer to tear him and his art to pieces, rather than acknowledge that he must die of shame in presence of them.
Page 113
Intoxicated speech follows the course of this rhythm; melody resounds coupled with speech, and in its turn melody projects its sparks into the realm of images and ideas.
Page 116
Thus it was an almost delightful surprise to him to find that he was still a musician and an artist, and perhaps then only for the first time.
Page 128
He feels himself incited all the more to a certain nobility of bearing, because music envelopes his feelings in a purer atmosphere, and thus brings them closer to beauty.
Page 133
Like Demosthenes, he conceals his art or compels one to forget it by the peremptory way he calls attention to the subject he treats; and yet, like his great predecessor, he is the last and greatest of a whole line of artist-minds, and therefore has more to conceal than his forerunners: his art acts like nature, like nature recovered and restored.
Page 139
" It thus stands as a contrast to every culture of the Renaissance, which to this day still bathes us modern men in its light and shade.
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sovereign spear was broken in the contest with the freest man, and who lost his power through him, rejoicing greatly over his own defeat: full of sympathy for the triumph and pain of his victor, his eye burning with aching joy looks back upon the last events; he has become free through love, free from himself.