The Twilight of the Idols - The Antichrist Complete Works, Volume Sixteen

By Friedrich Nietzsche

Page 63

He flows out,
he flows over, he consumes himself, he does not spare himself,--and
does all this with fateful necessity, irrevocably, involuntarily, just
as a river involuntarily bursts its dams. But, owing to the fact that
humanity has been much indebted to such explosives, it has endowed them
with many things, for instance, with a kind of _higher morality_....
This is indeed the sort of gratitude that humanity is capable of: it
_misunderstands_ its benefactors.


45

_The criminal and his like._--The criminal type is the type of the
strong man amid unfavourable conditions, a strong man made sick. He
lacks the wild and savage state, a form of nature and existence which
is freer and more dangerous, in which everything that constitutes
the shield and the sword in the instinct of the strong man, takes
a place by right. Society puts a ban upon his virtues; the most
spirited instincts inherent in him immediately become involved with
the depressing passions, with suspicion, fear and dishonour. But this
is almost the recipe for physiological degeneration. When a man has
to do that which he is best suited to do, which he is most fond of
doing, not only clandestinely, but also with long suspense, caution and
ruse, he becomes anæmic; and inasmuch as he is always having to pay
for his instincts in the form of danger, persecution and fatalities,
even his feelings begin to turn against these instincts--he begins to
regard them as fatal. It is society, our tame, mediocre, castrated
society, in which an untutored son of nature who comes to us from his
mountains or from his adventures at sea, must necessarily degenerate
into a criminal. Or almost necessarily: for there are cases in which
such a man shows himself to be stronger than society: the Corsican
Napoleon is the most celebrated case of this. Concerning the problem
before us, Dostoiewsky's testimony is of importance--Dostoiewsky who,
incidentally, was the only psychologist from whom I had anything
to learn: he belongs to the happiest windfalls of my life, happier
even than the discovery of Stendhal. This profound man, who was
right ten times over in esteeming the superficial Germans low, found
the Siberian convicts among whom he lived for many years,--those
thoroughly hopeless criminals for whom no road back to society stood
open--very different from what even he had expected,--that is to say
carved from about the best, hardest and most valuable material that
grows on Russian soil.[7] Let us generalise the case of the criminal;
let us imagine creatures who for some reason or other fail to meet
with public approval, who know that they are regarded neither

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Text Comparison with Thoughts out of Season, Part I

Page 0
OSCAR LEVY VOLUME ONE THOUGHTS OUT OF SEASON PART ONE _________________________________________________________________ Of the First Impression of One Thousand Copies this is .
Page 2
As this Cause is a somewhat holy one to the Editor himself, he is ready to listen to any suggestions as to improvements of style or sense coming from qualified sources.
Page 3
DEAR ENGLISHMEN,--In one of my former writings I have made the remark that the world would have seen neither the great Jewish prophets nor the great German thinkers, if the people from among whom these eminent men sprang had not been on the whole such a misguided, and, in their misguidedness, such a tough and stubborn race.
Page 21
Even so, however, there can be no question, in our case, of the victory of German culture; and for the simple reason, that French culture remains as heretofore, and that we depend upon it as heretofore.
Page 29
Through historical consciousness, they saved themselves from enthusiasm; for, in opposition to Goethe, it was maintained that history would no longer kindle enthusiasm.
Page 31
He lacked the weapon humour; he could not grant that one may be a Philistine and still be no barbarian.
Page 42
432); then, to our minds, one thing, and one thing alone, became certain--namely, that his Sweetmeat-Beethoven is not our Beethoven, and his Soup-Haydn is not our Haydn.
Page 43
Who, indeed, will enlighten us concerning this Sweetmeat-Beethoven, if not Strauss himself--the only person who seems to know anything about him? But, immediately below, a strong judgment is uttered with becoming non-modesty, and precisely in regard to the Ninth Symphony.
Page 44
" VI.
Page 54
No help for it, therefore; even the most stiff-necked and obdurate of these fellows must condescend to look up a little, if only to get a sight, be it no farther than the knees, of those august figures" (p.
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VIII.
Page 56
In the heart of the average scientific type (quite irrespective of the examples thereof with which we meet to-day) there lies a pure paradox: he behaves like the veriest idler of independent means, to whom life is not a dreadful and serious business, but a sound piece of property, settled upon him for all eternity; and it seems to him justifiable to spend his whole life in answering questions which, after all is said and done, can only be of interest to that person who believes in eternal life as an absolute certainty.
Page 93
that they would hang in the air as unsolved problems, if it were not possible, by spanning an enormous gulf of time, to show their relation to analogous phenomena in Hellenistic culture.
Page 102
The road to such a new though not unprecedented goal would lead to this: that we should be compelled to acknowledge where the worst faults of our educational system lie, and why it has failed hitherto.
Page 105
I shall only give two instances showing how utterly the sentiment of our time has been perverted, and how completely unconscious the present age is of this perversion.
Page 110
However the development of the born dramatist may be pictured, in his ultimate expression he is a being free from all inner barriers and voids: the real, emancipated artist cannot help himself, he must think in the spirit of all the arts.
Page 118
Here the artist distinctly heard the command that concerned him alone--to recast myth and make it virile, to break the spell lying over music and to make music speak: he felt his strength for drama liberated at one stroke, and the foundation of his sway established over the hitherto undiscovered province lying between myth and music.
Page 125
Any other person in like circumstances would have given up all hope; for our language seems almost too old and decrepit to allow of one's exacting what Wagner exacted.
Page 133
At almost every stage in Wagner's progress.
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His writings contain nothing canonical or severe: the canons are to be found in his works as a whole.