Human, All-Too-Human: A Book for Free Spirits, Part 1 Complete Works, Volume Six

By Friedrich Nietzsche

Page 197

satiated with play, and has no
new necessities impelling him to work, is sometimes attacked by the
longing for a third state, which is related to play as gliding is to
dancing, as dancing is to walking, a blessed, tranquil movement; it is
the artists' and philosophers' vision of happiness.


LESSONS FROM PICTURES.--If we look at a series of pictures of
ourselves, from the time of later childhood to the time of mature
manhood, we discover with pleased surprise that the man bears more
resemblance to the child than to the youth: that probably, therefore,
in accordance with this fact, there has been in the interval a
temporary alienation of the fundamental character, over which the
collected, concentrated force of the man has again become master. With
this observation this other is also in accordance, namely, that all
strong influences of passions, teachers, and political events, which
in our youthful years draw us hither and thither, seem later on to be
referred back again to a fixed standard; of course they still continue
to exist and operate within us, but our fundamental sentiments and
opinions have now the upper hand, and use their influence perhaps as a
source of strength, but are no longer merely regulative, as was perhaps
the case in our twenties. Thus even the thoughts and sentiments of the
man appear more in accordance with those of his childish years,--and
this objective fact expresses itself in the above-mentioned subjective


THE TONE OF VOICE OF DIFFERENT AGES.--The tone in which youths speak,
praise, blame, and versify, displeases an older person because it is
too loud, and yet at the same time dull and confused like a sound in
a vault, which acquires such a loud ring owing to the emptiness; for
most of the thought of youths does not gush forth out of the fulness
of their own nature, but is the accord and the echo of what has been
thought, said, praised or blamed around them. As their sentiments,
however (their inclinations and aversions), resound much more forcibly
than the reasons thereof, there is heard, whenever they divulge these
sentiments, the dull, clanging tone which is a sign of the absence
or scarcity of reasons. The tone of riper age is rigorous, abruptly
concise, moderately loud, but, like everything distinctly articulated,
is heard very far off. Old age, finally, often brings a certain
mildness and consideration into the tone of the voice, and as it were,
sweetens it; in many cases, to be sure it also sours it.


THE ATAVIST AND THE FORERUNNER.--The man of unpleasant character,
full of distrust, envious of the success of

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Text Comparison with The Joyful Wisdom

Page 15
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Perhaps only those.
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—Pity is the most pleasant feeling in those who have not much pride, and have no prospect of great conquests: the easy booty—and that is what every sufferer is—is for them an enchanting thing.
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The praise of the virtues is the praise of something which is privately injurious to the individual; it is praise of impulses which deprive man of his noblest self-love, and the power to take the best care of himself.
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_The Lack of a noble Presence.
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We get on with our bad conscience more easily than with our bad reputation.
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Their inventions might then be more refined, and their gratifications might sound like good music: while at present they fill the world with their cries of distress, and consequently too often with the _feeling of distress_ in the first place! They do not know what to make of themselves—and so they paint the misfortune of others on the wall; they always need others! And always again other others!—Pardon me, my friends, I have ventured to paint my _happiness_ on the wall.
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Perhaps they have only lacked.
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_The Perverter of Taste.
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_Poet and Liar.
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_Personal Providence.
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_—What means have we for making things beautiful, attractive, and desirable, when they are not so?—and I suppose they are never so in themselves! We have here something to learn from physicians, when, for example, they dilute what is bitter, or put wine and sugar into their mixing-bowl; but we have still more to learn from artists, who in fact, are continually concerned in devising such inventions and artifices.
Page 169
actually and unceasingly _make_ something which does not yet exist: the whole eternally increasing world of valuations, colours, weights, perspectives, gradations, affirmations and negations.
Page 205
Protestantism was a popular insurrection in favour of the simple, the respectable, the superficial (the North has always been more good-natured and more shallow than the South), but it was the French Revolution that first gave the sceptre wholly and solemnly into the hands of the "good man" (the sheep, the ass, the goose, and everything incurably shallow, bawling, and fit for the Bedlam of "modern ideas").
Page 210
Fundamentally our actions are in an incomparable manner altogether personal, unique and absolutely individual—there is no doubt about it; but as soon as we translate them into consciousness, they _do not appear so any longer_.
Page 226
The latter is the artifice of _posthumous_ men _par excellence_.
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Page 232
In this manner I gradually began to understand Epicurus, the opposite of a Dionysian pessimist;—in a similar manner also the "Christian," who in fact is only a type of Epicurean, and like him essentially a romanticist:—and my vision has always become keener in tracing that most difficult and insidious of all forms of _retrospective inference_, which most mistakes have been made—the inference from the work to its author, from the deed to its doer, from the ideal to him who _needs_ it, from every mode of thinking and valuing to the imperative _want_ behind it.
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