Human, All-Too-Human: A Book for Free Spirits, Part 1 Complete Works, Volume Six

By Friedrich Nietzsche

Page 100

in art, whilst all other occupations
aimed only at the acquirement of knowledge. It is a barbarism to put
German composition before it, for there is no typical German style
developed by public oratory; but if there is a desire to advance
practice in thought by means of German composition, then it is
certainly better for the time being to pay no attention to style, to
separate the practice in thought, therefore, from the practice in
reproduction. The latter should confine itself to the various modes
of presenting a given subject, and should not concern itself with the
independent finding of a subject. The mere presentment of given subject
was the task of the Latin style, for which the old teachers possessed a
long vanished delicacy of ear. Formerly, whoever learned to write well
in a modern language had to thank this practice for the acquirement
(now we are obliged to go to school to the older French writers). But
yet more: he obtained an idea of the loftiness and difficulty of form,
and was prepared for art in the only right way: by practice.


204.

DARKNESS AND OVER-BRIGHTNESS SIDE BY SIDE.--Authors who, in general,
do not understand how to express their thoughts clearly are fond of
choosing, in detail, the strongest, most exaggerated distinctions and
superlatives,--thereby is produced an effect of light, which is like
torchlight in intricate forest paths.


205.

LITERARY PAINTING.--An important object will be best described if the
colours for the painting are taken out of the object itself, as a
chemist does, and then employed like an artist, so that the drawing
develops from the outlines and transitions of the colours. Thus the
painting acquires something of the entrancing natural element which
gives such importance to the object itself.


206.

BOOKS WHICH TEACH HOW TO DANCE.--There are authors who, by representing
the impossible as possible, and by talking of morality and cleverness
as if both were merely moods and humours assumed at will, produce
a feeling of exuberant freedom, as if man stood on tiptoe and were
compelled to dance from sheer, inward delight.


207.

UNFINISHED THOUGHTS.--Just as not only manhood, but also youth and
childhood have a value _per se,_ and are not to be looked upon merely
as passages and bridges, so also unfinished thoughts have their value.
For this reason we must not torment a poet with subtle explanations,
but must take pleasure in the uncertainty of his horizon, as if the way
to further thoughts were still open. We stand on the threshold; we wait
as for the digging up of a treasure, it is as if a well of profundity
were about to

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Text Comparison with Human, All-Too-Human: A Book for Free Spirits, Part 2

Page 9
--To all who talk so boastfully of.
Page 15
Emotional people say to his very face that he has the "higher" truth and sincerity--for they are weary of reality for the time being, and accept the poetic dream as a pleasant relaxation and a night's rest for head and heart.
Page 17
37.
Page 31
May he be satisfied with the honour of being called the freest writer of all times, in comparison with whom all others appear stiff, square-toed, intolerant, and downright boorish! In his case we should not speak of the clear and rounded but of "the endless melody"--if by this phrase we arrive at a name for an artistic style in which the definite form is continually broken, thrust aside and transferred to the realm of the indefinite, so that it signifies one and the other at the same time.
Page 39
Just now, when music is passing into this last phase, we may learn to know the phenomenon of the baroque style in peculiar splendour, and, by comparison, find much that is instructive for earlier ages.
Page 51
The oldest and the newest culture-powers, as in a turbulent mass-meeting, would rather be heard than understood, and wish to prove at all costs by their outcries and clamourings that they still exist or already exist.
Page 56
YES, THE FAVOUR OF THE MUSES!--What Homer says on this point goes right to our heart, so true, so terrible is it: "The Muse loved him with all her heart and gave him good and evil, for she took away his eyes and vouchsafed him sweet song.
Page 77
POSSESSION POSSESSES.
Page 88
A DEFECTIVE EAR.
Page 90
THE WANDERER AND HIS SHADOW.
Page 96
Thus we isolate not only the single fact, but the groups of apparently equal facts (good, evil, compassionate, envious actions, and so forth).
Page 120
THE CAUTIOUS STYLE.
Page 122
WHICH IS MORE TRANSITORY, THE BODY OR THE SPIRIT?--In legal, moral, and religious institutions the external and concrete elements--in other words, rites, gestures, and ceremonies--are the most permanent.
Page 135
CLASSICAL BOOKS.
Page 139
This moment of rapture Chopin in his Barcarolle expressed in sound so supremely that Gods themselves, when they heard it, might yearn to lie long summer evenings in a boat.
Page 144
--Just as in spiritual grief we tear our hair, strike our foreheads, lacerate our cheeks or even (like OEdipus) gouge our eyes out, so against violent physical pain we call to our aid a bitter, violent emotion, through the recollection of slanderous and malignant people, through the denigration of our future, through the sword-pricks and acts of malice which we mentally direct against the absent.
Page 151
--A fine simile for all thinkers for whom the sun of the human future is temporarily eclipsed.
Page 168
The last twenty review, assimilate, bring into union and harmony all that has been experienced till then: as,.
Page 175
" On the contrary, when the distress of these burdens is greatest, the sort of God who alone can help here will be nearest.
Page 177
HOW FAR MACHINERY HUMILIATES.