Ecce Homo Complete Works, Volume Seventeen

By Friedrich Nietzsche

Page 19

it, my brethren! Up here, on the loftiest height, the
spring of joyfulness gusheth forth for me. And there is a life at the
well of which no rabble can drink with you.

"Almost too fiercely dost thou rush, for me, thou spring of joyfulness!
And ofttimes dost thou empty the pitcher again in trying to fill it.

"And yet must I learn to draw near thee more humbly. Far too eagerly
doth my heart jump to meet thee.

"My heart, whereon my summer burneth, my short, hot, melancholy,
over-blessed summer: how my summer heart yearneth for thy coolness!

"Farewell, the lingering affliction of my spring! Past is the
wickedness of my snowflakes in June! Summer have I become entirely, and
summer noontide!

"A summer in the loftiest heights, with cold springs and blessed
stillness: oh come, my friends, that the stillness may wax even more
blessed!

"For this is our height and our home: too high and steep is our
dwelling for all the unclean and their appetites.

"Do but cast your pure eyes into the well of my joyfulness, my friends!
How could it thus become muddy! It will laugh back at you with its
purity.

"On the tree called Future do we build our nest: eagles shall bring
food in their beaks unto us lonely ones!

"Verily not the food whereof the unclean might partake. They would
think they ate fire and would burn their mouths!

"Verily, no abodes for the unclean do we here hold in readiness! To
their bodies our happiness would seem an ice-cavern, and to their
spirits also!

"And like strong winds will we live above them, neighbours to the
eagles, companions of the snow, and playmates of the sun: thus do
strong winds live.

"And like a wind shall I one day blow amidst them, and take away their
soul's breath with my spirit: thus my future willeth it.

"Verily, a strong wind is Zarathustra to all low lands; and this is
his counsel to his foes and to all those who spit and spew: 'Beware of
spitting against the wind!'"


[Footnote 1: The right which every Polish deputy, whether a great or an
inferior nobleman, possessed of forbidding the passing of any measure
by the Diet, was called in Poland the _liberum veto_ (in Polish _nie
pozwalam_), and brought all legislation to a standstill.--TR.]

[Footnote 2: Eugen Dübring is a philosopher and political economist
whose general doctrine might be characterised as a sort of abstract
Materialism with an optimistic colouring.--TR.]

[Footnote 3: This, of course, is a reference to Wagner's _Parsifal._
See my note on p. 96 of _The Will to Power_ vol. i.--TR.]




WHY

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Text Comparison with Thoughts out of Season, Part I

Page 2
The Editor, during a recent visit to Mrs.
Page 4
I know that the current opinion is to the contrary, and that your country is constantly accused, even by yourselves, of its insularity; but I, for my part, have found an almost feminine receptivity amongst you in my endeavour to bring you into contact with some ideas of my native country--a receptivity which, however, has also this in common with that of the female mind, that evidently nothing sticks deeply, but is quickly wiped out by what any other lecturer, or writer, or politician has to tell you.
Page 7
.
Page 13
For the old Jew has recognised some one coming from afar--some one whom he had missed, but never mentioned, for his Law forbade him to do this--some one, however, for whom he had.
Page 15
Nietzsche's attack on Hegelian optimism alone (pp.
Page 21
Even so, however, there can be no question, in our case, of the victory of German culture; and for the simple reason, that French culture remains as heretofore, and that we depend upon it as heretofore.
Page 62
prose-writer.
Page 67
At last our pavilion-owner began to praise himself, and assured us that he who could not be happy under his roof was beyond help and could not be ripe for his standpoint, whereupon he offered us his coach, but with the polite reservation that he could not assert that it would fulfil every requirement, and that, owing to the stones on his road having been newly laid down, we were not to mind if we were very much jolted.
Page 84
Now, to the observer who sees things relatively, it must seem strange that the modern man who happens to be gifted with exceptional talent should as a child and a youth so seldom be blessed with the quality of ingenuousness and of simple individuality, that he is so little able to have these qualities at all.
Page 88
But his method of doing this, his lack of moderation in the doing, betrayed what a feeble hold his hopes had upon him; how they were only stimulants to which he had recourse in an extremity.
Page 103
If their innermost consciousness can perceive no new forms, but only the old ones belonging to the past, they may certainly achieve something for history, but not for life; for they are already dead before having expired.
Page 104
" Neither hunger nor satiety is to be noticed here, but a dead-and-alive game is played--with the semblance of each, a game invented by the idle desire to produce an effect and to deceive others.
Page 106
the newspaper and the telegraph.
Page 119
The cry arose: "He is a theorist who wishes to remould art with his far-fetched notions--stone him!" Wagner was stunned: his question was not understood, his need not felt; his masterpieces seemed a message addressed only to the deaf and blind; his people-- an hallucination.
Page 122
How flat and pointless every effect proved under these circumstances-- more especially as it was much more a case of having to minister to one quite insatiable than of cloying the hunger of a starving man-- Wagner began to perceive from the following repeated experience: everybody, even the performers and promoters, regarded his art as nothing more nor less than any other kind of stage-music, and quite in keeping with the repulsive style of traditional opera; thanks to the efforts of cultivated conductors, his works were even cut and hacked about, until, after they had been bereft of all their spirit, they were held to be nearer the professional singer's plane.
Page 123
In the wake of that current of better feeling already referred to, he expected to notice an enhanced sense of duty even among those with whom he wished to entrust his most precious possession.
Page 125
The Ring of the Nihelung is a huge system of thought without the usual abstractness of the latter.
Page 134
In his opinion, the evolution of art seems to have reached that stage when the honest endeavour to become an able and masterly exponent or interpreter is ever so much more worth talking about than the longing to be a creator at all costs.
Page 137
His writings contain nothing canonical or severe: the canons are to be found in his works as a whole.
Page 144
And now ask yourselves, ye generation of to-day, Was all this composed for you? Have ye the courage to point up to the stars of the whole of this heavenly dome of beauty and goodness and to say, This is our life, that Wagner has transferred to a place beneath the stars? Where are the men among you who are able to interpret the divine image of Wotan in the light of their own lives, and who can become ever greater while, like him, ye retreat? Who among you would renounce power, knowing and having learned that power is evil? Where are they who like Brunhilda abandon their knowledge to love, and finally rob their lives of the highest wisdom, "afflicted love, deepest sorrow, opened my eyes"? and where are the free and fearless, developing and blossoming in innocent egoism? and where are the Siegfrieds, among you? He who questions thus and does so in vain, will find himself compelled to look around him for signs of the future; and should his eye, on reaching an unknown distance, espy just that "people" which his own generation can read out of the signs contained in Wagnerian art, he will then also understand what Wagner will mean to this people--something that he cannot be to all of us, namely, not the prophet of the future, as perhaps he would fain appear to us, but the interpreter and clarifier of the past.