Beyond Good and Evil

By Friedrich Nietzsche

Page 92

at all grasped, but is only a
nostrum,--that what is fair to one MAY NOT at all be fair to another,
that the requirement of one morality for all is really a detriment to
higher men, in short, that there is a DISTINCTION OF RANK between man
and man, and consequently between morality and morality. They are an
unassuming and fundamentally mediocre species of men, these utilitarian
Englishmen, and, as already remarked, in so far as they are tedious, one
cannot think highly enough of their utility. One ought even to ENCOURAGE
them, as has been partially attempted in the following rhymes:--

Hail, ye worthies, barrow-wheeling,
"Longer--better," aye revealing,

Stiffer aye in head and knee;
Unenraptured, never jesting,
Mediocre everlasting,

SANS GENIE ET SANS ESPRIT!


229. In these later ages, which may be proud of their humanity, there
still remains so much fear, so much SUPERSTITION of the fear, of the
"cruel wild beast," the mastering of which constitutes the very pride of
these humaner ages--that even obvious truths, as if by the agreement
of centuries, have long remained unuttered, because they have the
appearance of helping the finally slain wild beast back to life again.
I perhaps risk something when I allow such a truth to escape; let
others capture it again and give it so much "milk of pious sentiment"
[FOOTNOTE: An expression from Schiller's William Tell, Act IV, Scene
3.] to drink, that it will lie down quiet and forgotten, in its old
corner.--One ought to learn anew about cruelty, and open one's eyes;
one ought at last to learn impatience, in order that such immodest
gross errors--as, for instance, have been fostered by ancient and
modern philosophers with regard to tragedy--may no longer wander about
virtuously and boldly. Almost everything that we call "higher culture"
is based upon the spiritualising and intensifying of CRUELTY--this is
my thesis; the "wild beast" has not been slain at all, it lives, it
flourishes, it has only been--transfigured. That which constitutes the
painful delight of tragedy is cruelty; that which operates agreeably in
so-called tragic sympathy, and at the basis even of everything sublime,
up to the highest and most delicate thrills of metaphysics, obtains its
sweetness solely from the intermingled ingredient of cruelty. What the
Roman enjoys in the arena, the Christian in the ecstasies of the cross,
the Spaniard at the sight of the faggot and stake, or of the bull-fight,
the present-day Japanese who presses his way to the tragedy, the workman
of

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