Beyond Good and Evil

By Friedrich Nietzsche

Page 34

spendthrifts, arrangers and collectors from morning till
night, misers of our wealth and our full-crammed drawers, economical
in learning and forgetting, inventive in scheming, sometimes proud of
tables of categories, sometimes pedants, sometimes night-owls of
work even in full day, yea, if necessary, even scarecrows--and it is
necessary nowadays, that is to say, inasmuch as we are the born, sworn,
jealous friends of SOLITUDE, of our own profoundest midnight and midday
solitude--such kind of men are we, we free spirits! And perhaps ye are
also something of the same kind, ye coming ones? ye NEW philosophers?


45. The human soul and its limits, the range of man's inner experiences
hitherto attained, the heights, depths, and distances of these
experiences, the entire history of the soul UP TO THE PRESENT TIME,
and its still unexhausted possibilities: this is the preordained
hunting-domain for a born psychologist and lover of a "big hunt". But
how often must he say despairingly to himself: "A single individual!
alas, only a single individual! and this great forest, this virgin
forest!" So he would like to have some hundreds of hunting assistants,
and fine trained hounds, that he could send into the history of the
human soul, to drive HIS game together. In vain: again and again he
experiences, profoundly and bitterly, how difficult it is to find
assistants and dogs for all the things that directly excite his
curiosity. The evil of sending scholars into new and dangerous
hunting-domains, where courage, sagacity, and subtlety in every sense
are required, is that they are no longer serviceable just when the "BIG
hunt," and also the great danger commences,--it is precisely then that
they lose their keen eye and nose. In order, for instance, to divine and
determine what sort of history the problem of KNOWLEDGE AND CONSCIENCE
has hitherto had in the souls of homines religiosi, a person would
perhaps himself have to possess as profound, as bruised, as immense an
experience as the intellectual conscience of Pascal; and then he would
still require that wide-spread heaven of clear, wicked spirituality,
which, from above, would be able to oversee, arrange, and effectively
formulize this mass of dangerous and painful experiences.--But who
could do me this service! And who would have time to wait for such
servants!--they evidently appear too rarely, they are so improbable at
all times! Eventually one must do everything ONESELF in order to know
something; which means that one has MUCH to do!--But a curiosity like
mine is once for all the most agreeable of vices--pardon me! I mean to
say that the love of truth has its

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Text Comparison with The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms.

Page 1
On pages 41, 44, 84, 122, 129, &c, we cannot doubt that Nietzsche is speaking from his heart,--and what does he say?--In impassioned tones he admits his profound indebtedness to the great musician, his love for him, his gratitude to him,--how Wagner was the only German who had ever been anything to him--how his friendship with Wagner constituted the happiest and most valuable experience of his life,--how his breach with Wagner almost killed him.
Page 3
Every year thousands are now added to the large party abroad who have ceased from believing in the great musical revolutionary of the seventies; that he was one with the French Romanticists and rebels has long since been acknowledged a fact in select circles, both in France and Germany, and if we still have Wagner with us in England, if we still consider Nietzsche as a heretic, when he declares that "Wagner was a musician for unmusical people," it is only because we are more removed than we imagine, from all the great movements, intellectual and otherwise, which take place on the Continent.
Page 5
" There is, however, no need to multiply examples, seeing, as I have said, that in the translations of Halevy's and Lichtenberger's books the reader will find all the independent evidence he could possibly desire, disproving the popular, and even the learned belief that, in the two pamphlets before us we have a complete, apparently unaccountable, and therefore "demented" _volte-face_ on Nietzsche's part.
Page 8
Far be it from me to value Wagner's music _in extenso_ here--this is scarcely a fitting opportunity to do so;--but I think it might well be possible to show, on purely psychological grounds, how impossible it was for a man like Wagner to produce real art.
Page 12
How terribly Wagnerian orchestration affects me! I call it the _Sirocco_.
Page 13
{~HORIZONTAL ELLIPSIS~} Has any one ever observed that music _emancipates_ the spirit? gives wings to thought? and that the more one becomes a musician the more one is also a philosopher? The grey sky of abstraction seems thrilled by flashes of lightning; the light is strong enough to reveal all the details of things; to enable one to grapple with problems; and the world is surveyed as if from a mountain top--With this I have defined philosophical pathos--And unexpectedly _answers_ drop into my lap, a small hailstorm of ice and wisdom, of problems _solved_.
Page 17
He sought it in the runic inscriptions of myths, he thought he had found a typical revolutionary in Siegfried.
Page 21
" _Never let us give pleasure!_--we shall be lost if people once again think of music hedonistically.
Page 22
They understand nothing of Wagner who see in him but a sport of nature, an arbitrary mood, a chapter of accidents.
Page 27
What does Wagner do? He emancipates the oldest woman on earth, Erda.
Page 28
Everything that Wagner _can_ do, no one will ever be able to do after him, no one has ever done before him, and no one must ever do after him.
Page 31
_ _Friedrich Nietzsche.
Page 32
(12) Does anybody remember a very curious occurrence in which, quite unexpectedly towards the end, this old feeling once more manifested itself? It happened at Wagner's funeral.
Page 42
There were reasons for adding; "For heaven's sake, be a little more true unto yourself! We are not in Bayreuth now.
Page 46
Where Wagner Is At Home.
Page 47
--In this respect one should not allow one's self to be misled by Wagner himself--it was simply disgraceful on Wagner's part to scoff at Paris, as he did, in its agony in 1871.
Page 50
Henceforward alone and cruelly distrustful of myself, I then took up sides--not without anger--_against myself_ and _for_ all that which hurt me and fell hard upon me; and thus I found the road to that courageous pessimism which is the opposite of all idealistic falsehood, and which, as it seems to me, is also the road to _me_--_to my mission_.
Page 51
Those great poets, for example, such as Byron, Musset, Poe, Leopardi, Kleist, Gogol (I do not dare to mention much greater names, but I imply them), as.
Page 56
Page 60
Music is the language of the commentator, who talks the whole of the time and gives us no breathing space.