Also sprach Zarathustra: Ein Buch für Alle und Keinen

By Friedrich Nietzsche

Page 40

der heranhinkt, zu segnen, was er
nicht zusammenfügte!

Lacht mir nicht über solche Ehen! Welches Kind hätte nicht Grund, über
seine Eltern zu weinen?

Würdig schien mir dieser Mann und reif für den Sinn der Erde: aber als
ich sein Weib sah, schien mir die Erde ein Haus für Unsinnige.

Ja, ich wollte, dass die Erde in Krämpfen bebte, wenn sich ein
Heiliger und eine Gans mit einander paaren.

Dieser gieng wie ein Held auf Wahrheiten aus und endlich erbeutete er
sich eine kleine geputzte Lüge. Seine Ehe nennt er's.

Jener war spröde im Verkehre und wählte wählerisch. Aber mit Einem
Male verdarb er für alle Male seine Gesellschaft: seine Ehe nennt

Jener suchte eine Magd mit den Tugenden eines Engels. Aber mit Einem
Male wurde er die Magd eines Weibes, und nun thäte es Noth, dass er
darüber noch zum Engel werde.

Sorgsam fand ich jetzt alle Käufer, und Alle haben listige Augen. Aber
seine Frau kauft auch der Listigste noch im Sack.

Viele kurze Thorheiten - das heisst bei euch Liebe. Und eure Ehe macht
vielen kurzer Thorheiten ein Ende, als Eine lange Dummheit.

Eure Liebe zum Weibe und des Weibes Liebe zum Manne: ach, möchte sie
doch Mitleiden sein mit leidenden und verhüllten Göttern! Aber zumeist
errathen zwei Thiere einander.

Aber auch noch eure beste Liebe ist nur ein verzücktes Gleichniss und
eine schmerzhafte Gluth. Eine Fackel ist sie, die euch zu höheren
Wegen leuchten soll.

Über euch hinaus sollt ihr einst lieben! So _lernt_ erst lieben! Und
darum musstet ihr den bittern Kelch eurer Liebe trinken.

Bitterniss ist im Kelch auch der besten Liebe: so macht sie Sehnsucht
zum Übermenschen, so macht sie Durst dir, dem Schaffenden!

Durst dem Schaffenden, Pfeil und Sehnsucht zum Übermenschen: sprich,
mein Bruder, ist diess dein Wille zur Ehe?

Heilig heisst mir solch ein Wille und solche Ehe. -

Also sprach Zarathustra.

Vom freien Tode

Viele sterben zu spät, und Einige sterben zu früh. Noch klingt fremd
die Lehre: "stirb zur rechten Zeit!"

Stirb zur rechten Zeit: also lehrt es Zarathustra.

Freilich, wer nie zur rechten Zeit lebt, wie sollte der je zur rechten
Zeit sterben? Möchte er doch nie geboren sein! - Also rathe ich den

Aber auch die Überflüssigen thun noch wichtig mit ihrem Sterben, und
auch die hohlste Nuss will noch geknackt sein.

Wichtig nehmen Alle das Sterben: aber noch ist der Tod kein Fest. Noch
erlernten die Menschen nicht, wie man die schönsten Feste weiht.

Den vollbringenden Tod zeige ich euch, der den Lebenden ein Stachel
und ein Gelöbniss wird.

Seinen Tod stirbt der Vollbringende, siegreich, umringt von Hoffenden
und Gelobenden.

Also sollte man sterben lernen; und es sollte kein Fest geben, wo ein

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Text Comparison with Thoughts out of Season, Part I

Page 17
Wagner would often declare that the beautiful music in the third act of Siegfried was to be ascribed to Nietzsche's influence over him; he also adopted the young man's terminology in art matters, and the concepts implied by the words "Dionysian" and "Apollonian" were borrowed by him from his friend's discourses.
Page 18
Page 19
Nietzsche endowed both Schopenhauer and Wagner with qualities and aspirations so utterly foreign to them both, that neither of them would have recognised himself in the images he painted of them.
Page 20
_________________________________________________________________ DAVID STRAUSS, THE CONFESSOR AND THE WRITER.
Page 37
With regard to one point only do we receive more exhaustive information, and fortunately this point relates to the heaven in heaven--the private little art-rooms which will be consecrated to the use of great poets and musicians, and to which the Philistine will go to edify himself; in which, moreover, according to his own showing, he will even get "all his stains removed and wiped away" (p.
Page 45
Now, although Strauss is not telling flower-petals or the buttons on his waistcoat, still what he does is not less harmless, despite the fact that it needs perhaps a little more courage.
Page 48
In order, however, to adduce the most striking instance of this dissolute vulgarity of sentiment, let it suffice, here, to observe that Strauss knows no other means of accounting for the terribly serious negative instinct and the movement of ascetic sanctification which characterised the first century of the.
Page 61
"In spite of it all, he is still a classical writer.
Page 66
Nor do his public eulogisers refrain from using the same expression in reference to the work, as the following passage, quoted from one of the least remarkable among them, and in which the same expression is merely paraphrased, will go to prove:-- "The discourse flows on with delightful harmony: wherever it directs its criticism against old ideas it wields the art of demonstration, almost playfully; and it is with some spirit that it prepares the new ideas it brings so enticingly, and presents them to the simple as well as to the fastidious taste.
Page 71
In this respect the natural soil is wanting, as are also artistic values and the proper method of treating and cultivating oratory.
Page 84
His feelings were easily roused and but indifferently satisfied; wherever the boy turned he found himself surrounded by a wonderful and would-be learned activity, to which the garish theatres presented a ridiculous contrast, and the entrancing strains of music a perplexing one.
Page 87
How is it possible for any one to remain faithful here, to be completely steadfast? This doubt often depressed him, and he expresses it, as an artist expressed his doubt, in artistic forms.
Page 99
Wagner asked himself the meaning of the fact that an art such as music should have become so very important a feature of the lives of modern men.
Page 115
For when he perceived his error, despair made him understand the meaning of modern success, of the modern public, and the whole prevaricating spirit of modern art.
Page 116
As though he had just risen from a long illness and had for the first time gone into the open, he scarcely trusted his hand and his eye, and seemed to grope along his way.
Page 120
And, as he also turned upon the world the eyes of one reconciled, he was more filled with rage and disgust than with sorrow, and more prone to renounce the love of power than to shrink in awe from it.
Page 123
Out of this two-fold duty, that event took shape which, like a glow of strange sunlight, will illumine the few years that lie behind and before us, and was designed to bless that distant and problematic future which to our time and to the men of our time can be little more than a riddle or a horror, but which to the fevv who are allowed to assist in its realisation is a foretaste of coming joy, a foretaste of love in a higher sphere, through which they know themselves to be blessed, blessing and fruitful, far beyond their span of years; and which to Wagner himself is but a cloud of distress, care,.
Page 126
On the other hand, he was exceedingly proud to record the number of primitive and vigorous factors still extant in the current speech; and in the tonic strength of its roots he recognised quite a wonderful affinity and relation to real music, a quality which distinguished it from the highly volved and artificially rhetorical Latin languages.
Page 132
But he would probably have added, There is but one kind of hardship-- that of the artist who is not yet free: virtue and goodness are trivial accomplishments.
Page 142
The sublimest and highest thing descends a suppliant among men, and will not be questioned whence it came; when, however, the fatal question is put, it sorrowfully returns to its higher life: the theme of Lohengrin.