Ainsi Parlait Zarathoustra

By Friedrich Nietzsche

Page 132

dit: "Oui, la vie est lourde à porter!"

Mais ce n'est que l'homme lui-même qui est lourd à porter! Car il
traîne avec lui, sur ses épaules, trop de choses étrangères. Pareil au
chameau, il s'agenouille et se laisse bien charger.

Surtout l'homme vigoureux et patient, plein de vénération: il charge
sur ses épaules trop de paroles et de valeurs _étrangères_ et lourdes,
- alors la vie lui semble un désert!

Et, en vérité! bien des choses qui vous sont _propres_ sont aussi
lourdes à porter! Et l'intérieur de l'homme ressemble beaucoup à
l'huître, il est rebutant, flasque et difficile à saisir, - en sorte
qu'une noble écorce avec de nobles ornements se voit obligée
d'intercéder pour le reste. Mais cet art aussi doit être appris:
_posséder_ de l'écorce, une belle apparence et un sage aveuglement!

Chez l'homme on est encore trompé sur plusieurs autres choses,
puisqu'il y a bien des écorces qui sont pauvres et tristes, et qui sont
trop de l'écorce. Il y a beaucoup de force et de bontés cachées qui ne
sont jamais devinées; les mets les plus délicats ne trouvent pas
d'amateurs.

Les femmes savent cela, les plus délicates: un peu plus grasses, un peu
plus maigres - ah! comme il y a beaucoup de destinée dans si peu de
chose!

L'homme est difficile à découvrir, et le plus difficile encore pour
lui-même; souvent l'esprit ment au sujet de l'âme. Voilà l'ouvrage de
l'esprit de lourdeur.

Mais celui-là s'est découvert lui-même qui dit: ceci est _mon_ bien et
_mon_ mal. Par ces paroles il a fait taire la taupe et le nain qui
disent: "Bien pour tous, mal pour tous."

En vérité, je n'aime pas non plus ceux pour qui toutes choses sont
bonnes et qui appellent ce monde le meilleur des mondes. Je les
appelle des satisfaits.

Le contentement qui goûte de tout: ce n'est pas là le meilleur goût!
J'honore la langue du gourmet, le palais délicat et difficile qui a
appris à dire: "Moi" et "Oui" et "Non".

Mais tout mâcher et tout digérer - c'est faire comme les cochons! Dire
toujours I-A, c'est ce qu'apprennent seuls l'âne et ceux qui sont de
son espèce! -

C'est le jaune profond et le rouge intense que _mon_ goût désire, - il
mêle du sang à toutes les couleurs. Mais celui qui crépit sa maison de
blanc révèle par là qu'il a une âme crépie de blanc.

Les uns amoureux des momies, les autres des fantômes; et nous également
ennemis de la chair et du sang - comme ils sont tous en contradiction
avec mon

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Text Comparison with Thoughts out of Season, Part I

Page 22
spontaneous fury of the Frenchman, against the inward enemy, against the highly suspicious and, at all events, unnative "cultivation" which, owing to a dangerous misunderstanding, is called "culture" in Germany, then all hope of a really genuine German "culture"--the reverse of that "cultivation"--would not be entirely lost.
Page 24
If, however, our public and private life is so manifestly devoid of all signs of a productive and characteristic culture; if, moreover, our great artists,.
Page 29
The latter really does not at all mind giving himself up, from time to time, to the delightful and daring transgressions of art or of sceptical historical studies, and he does not underestimate the charm of such recreations and entertainments; but he strictly separates "the earnestness of life" (under which term he understands his calling, his business, and his wife and child) from such trivialities, and among the latter he includes all things which have any relation to culture.
Page 32
We are living in a period of cynical Philistine confessions.
Page 34
Besides, to speak quite openly in the latter, you yourself are convinced that you Possess this ability.
Page 36
Besides our profession--for we are members of the most various professions, and by no means exclusively consist of scholars or artists, but of military men and civil employes, of merchants and landed proprietors;.
Page 37
"But this is only effected for some fleeting moments; it happens and counts only in the realms of phantasy; as soon as we return to.
Page 38
The classical writers stood there, elegantly represented in wax and.
Page 53
But for whose benefit is this entertainment given? For the smug and noble "We," that they may not lose conceit with themselves: they may possibly have taken sudden fright, in the midst of the inflexible and pitiless wheel-works of the world-machine, and are tremulously imploring their leader to come to their aid.
Page 62
Now, the relation between the four questions which provide the chapter-headings of Strauss's book cannot be called a logical one.
Page 65
Let us, however, drop the question of the logician.
Page 71
Others can do that too! And many could do it better.
Page 80
Chance thus became his master; for there is a very intimate relation between greatness and the instinct which discerns the proper moment at which to act.
Page 82
It is almost a recognised fact that in times of exceptional danger, or at all decisive and culminating points in their lives, men see the remotest and most recent events of their career with singular vividness, and in one rapid inward glance obtain a sort of panorama of a whole span of years in which every event is faithfully depicted.
Page 93
Thus, between Kant and the Eleatics, Schopenhauer and Empedocles, AEschylus and Wagner, there is so much relationship, so many things in common, that one is vividly impressed with the very relative nature of all notions of time.
Page 103
Talent may develop as much as may be desired: it either comes too late or too soon, and at all events out of season; for it is in the main superfluous and abortive, just as even the most perfect and the highest products of earlier times which serve modern artists as models are superfluous and abortive, and add not a stone to the edifice already begun.
Page 110
in Wagner the whole visible world desires to be spiritualised, absorbed, and lost in the world of sounds.
Page 123
It seemed almost as though a people otherwise earnest and reflecting had decided to maintain an attitude of systematic levity only towards its most serious artist, and to make him the privileged recipient of all the vulgarity, thoughtlessness, clumsiness, and malice of which the German nature is capable.
Page 129
The question of length was left to the discretion of the musician, whose aim was not only to put the listener into a certain mood, but also to avoid rendering that mood monotonous by unduly protracting it.
Page 140
ages until that remote future is reached? How can we so dam the flood of a revolution seemingly inevitable everywhere, that the blessed prospect and guarantee of a better future--of a freer human life--shall not also be washed away with all that is destined to perish and deserves to perish? He who asks himself this question shares Wagner's care: he will feel himself impelled with Wagner to seek those established powers that have the goodwill to protect the noblest passions of man during the period of earthquakes and upheavals.